Tinhisanja (2022)

 ●  Marathi ● 2 hrs 7 mins

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Some people have factitious disorder, so much that they think it as real. This thinking is called as Munchausen Syndrome. This syndrome is named after Baron von Munchausen, an 18th century German officer who was known for embellishing the stories of his life and experiences. He used to treat people suffering with such factitious disorder. The movie “Tinhisanja” revolves around affairs between two neighboring families namely Nadkarni and Joshi. Mansi Nadkarni has no kids of her, so, She finds recreation in the 7-year-old Ashwini, child of Joshi. Society has a typical point of view to look at a child-less woman. Ashwini’s mother is not an exception. This result in Mansi getting constrained to close all relations with Ashwini. Mansi is now mentally distressed. Helpless Mansi finds some recreation in a doll as if it is her own baby. Mothers of kids up to 5-6 years scare them with scarecrow. Be quick!, take your food quickly, go to bed early, lest scarecrow will come and take you away, etc., etc. In reality no scarecrow is there, it only exits as a virtual image of mind. The kids too, realise this as they grow. At “Tinhisanja” (the twilight), Mansi sees the scarecrow by her mind’s eye and tells him to take her baby away. The scarecrow really comes and tries to take away the baby. But she is unprepared to let it go. Both scuffle over it. “Tinhisanja” is a brink of Evening and nighttime, specially known for the hypersensitive state of mind of a person during this time. It is a propitious time in Indian culture. This movie unfolds such a “Tinhisanja”, as an ordeal Mansi went through in her life. What happens next? Does she come out of this ordeal? Can her husband prop her up through her testing times? All who watch this movie will always recall the touching scenes in between Ashwini (Awani Matsye) and Mansi (Megha Vishwas) and the dance by Ashwini “Pari mee Pari”. Yes, we assure you about that.

Cast: Meghaa Vishwaas, Mukesh Gaikwad

Crew: Ulhas Adhav (Director), Kumar Dongare (Director of Photography), Salil Mohan (Music Director)

Rating: U (India)

Genres: Drama

Release Dates: 07 Oct 2022 (India)

Tagline: Every woman facing the Twilight

Marathi Name: तिन्हीसांजा

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as Manasi
as Deepak
Supporting Actor
as Mohan
Supporting Actress
as Chitra
as Ashwini
Supporting Actress
as Bagulbuva
Supporting Actor
Supporting Actor
Supporting Actor
Supporting Actor
Supporting Actor
Supporting Actor
as Atya
Supporting Actress
Supporting Actress
Supporting Actor
Supporting Actress
Supporting Actress
Supporting Actress
Supporting Actor
Supporting Actress
Supporting Actor
Supporting Actress
Supporting Actress
Supporting Actor
Supporting Actress
as Family Doctor
Supporting Actress
Supporting Actress
Supporting Actress
Supporting Actress
Supporting Actor
as Psychiatrics
Supporting Actress

Direction

Director
First Assistant Director

Production

Production Company
Production Manager

Writers

Screenplay Writer
Dialogue Writer

Camera and Electrical

Director of Photography
Camera Assistant

Music

Music Director
Lyricist
Playback Singer

Sound

Sound Designer

Art

Art Director

Casting

Casting Coordinator

Choreography

Costume and Wardrobe

Costume Designer

Editorial

Makeup and Hair

Marketing and Public Relations

Title Designer

Post Production

Post Production Facility
Film Type:
Feature
Language:
Marathi
Colour Info:
Color
Frame Rate:
24 fps
Aspect Ratio:
2.39:1 (Scope)
Stereoscopy:
No
Taglines:
Every woman facing the Twilight
Filming Locations: