We’ve always known that Spider-Man’s most important battle has been within himself: the struggle between the ordinary obligations of Peter Parker and the extraordinary responsibilities of Spider-Man. But in The Amazing Spider-Man 2, Peter Parker finds that a greater conflict lies ahead.
It’s great to be Spider-Man (Andrew Garfield). For Peter Parker, there’s no feeling quite like swinging between skyscrapers, embracing being the hero, and spending time with Gwen (Emma Stone). But being Spider-Man comes at a price: only Spider-Man can protect his fellow New Yorkers from the formidable villains that threaten the city. With the emergence of Electro (Jamie Foxx), Peter must confront a foe far more powerful than he. And as his old friend, Harry Osborn (Dane DeHaan), returns, Peter comes to realize that all of his enemies have one thing in common: OsCorp.
Did you know?
Director Marc Webb chose to shoot on 35mm film instead of the digital Red Epic cameras the original was shot with. While it is relatively common for franchise films to shoot on film and transition to digital for sequels as digital cinematography and 3D has become more commonplace (e.g. Resident Evil: Afterlife, Skyfall, Iron Man 3, Pirates of the Caribbean: On Stranger Tides) this is a rare example of a franchise switching to film after being shot on digital. Read More